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Melun Diptych : ウィキペディア英語版
Melun Diptych


The ''Melun Diptych'' is a two-panel oil painting by the French court painter Jean Fouquet (1425–1480) created around 1452. The name of the diptych came from its original home in the Collegiate Church of Notre-Dame in Melun. The left panel depicts Etienne Chevalier with his patron saint St. Stephen and the right panel depicts the Virgin and Christ child surrounded by cherubim. Each wooden panel measures about 93 by 85 centimeters and the two would have been hinged together at the center. The two pieces, originally a diptych, are now separated. The left panel now resides in the Staatliche Museen in Berlin and the right panel is now located at the Koninklijk Museum (Royal Museum of Fine Arts) in Belgium. A self-portrait medallion is also associated with the two panels. Measuring 6 centimeters in diameter, it would have adorned the frame, and consists of copper, enamel, and gold. The medallion is now located in the Louvre in Paris, France.
==Description of the left panel==
On the left Étienne Chevalier, the treasurer to King Charles VII of France, kneels in a red robe with in his hand in a position of prayer. The king liked to have non-aristocrats such as Chevalier about him because he thought them more reliable than nobles. On his right is Chevalier's patron saint, St. Stephen, in a dark deacon's robes with gold trim. His right arm is draped across Chevalier's shoulder while his left hand holds a book and a jagged rock, his representational attribute as he was stoned to death.〔Acts 7:58-59.〕 Both men gaze off to the right as if they were looking at the Virgin and child on the other panel. The wall behind the treasurer and his patron saint is inlaid with marble panels and has elaborate white and gold moldings. The tiled floor's neutral colors create a stark contrast with the saturated colors of the men's robes. Identifying Chevalier is an engraving on the wall behind him that says "IER ESTIEN". This lettering has been used to link the painting to Fouquet since he never signed any of his work. It is very similar to lettering used in several miniatures which are attributed to him.〔Heywood, The Life of Christ and His Mother, 7-8.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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